
Nick's Collection of Waterway Quotes
Whenever I am reading about the canals, or if I come across a particularly nice
quote about the inland waterways in a book or film, I make a note of it and add it to
my list. This list is used to generate this page, and for the "quote of the day"
feature on the CanalplanAC home page
The waterways are charged with magic, but nothing about them is more
magical than the difference made by the few feet of water which
separate the boat from the land. Those few feet instantly set the
boatman in a world of his own, and his vision of the outer world
though which he glides, becomes magically calmer and clearer. Again,
this may sound whimsical and improbable: the degree to which it is
true can be confirmed only by experience.
From Know Your Waterways by Robert Aickman (1950s)
Yet my great-grandfather was but a water-man, looking one way, and
rowing another: and I got most of my estate by the same occupation.
From The Pilgrim's Progress by John Bunyan (1678)
When Captain Webb the Dawley man,
Captain Webb from Dawley,
Came swimming along the old canal
That carried the bricks to Lawley,
Swimming along, swimming along,
Swimming along from Severn
From A Shropshire Lad by John Betjeman (1940)
We had placed all we required for our toilette in a small portmanteau,
and in addition, had provided ourselves with a portable india-rubber
bath, a ship's compass, a basket jar of four gallons for water, a
small keg to contain a gallon of beer, a luncheon basket fitted with
plates, knives, forks, cups, &c. &c, a cooking apperatus, and last,
though not least, a complete foul-weather rig of overalls, rugs,
umbrellas &c.
From The Thames to the Solent by Canal and Sea by J.B. Dashwood (1868)
I don't think you would know the boat - it is so homely and
comfortable - seven beer bottles on the side table at present waiting
to be thrown away.
From A Caravan Afloat by C.J. Aubertin (1916)
The foregoing pages have dealt with canals as a playground. Needless
to say, however, this is not their true vocation. They should be -
and are capable of being made - great arteries of national traffic.
From A Caravan Afloat by C.J. Aubertin (1916)
By and by, when times change again, I suspect that the sweetness of
the Thames Valley will begin to cloy; the old Wander-lust
will return, and we shall fare forth again to make our nightly camp
under the stars in regions to which our bows have not yet turned
From A Caravan Afloat by C.J. Aubertin (1916, final lines)
But, if the canals are left to the mercies of economists and
scientific planners, before many years are past the last of them will
become a weedy stagnant ditch, and the bright boats will rot at the
wharves, to live on only in old men's memories. It is because I fear
that this may happen that I have made this record of them.
From Narrow Boat by L.T.C. Rolt (1944)
The climb out of the Avon valley means more locks. There are
compensations however; you are getting away from Leamington Spa, for
one thing.
From The Worst Journey in the Midlands by Sam Llewellyn (1983)
It is one of the phenomena of the inland waterways that you can go for
hours without meeting another boat, then will encounter one on the
sharpest and nastiest bend in the system.
From Journeys of The Swan by John Liley (1971)
We got the tyre off by restarting the engine, then tentatively letting
in the clutch. Eventually a lucky pull from the boathook flipped the
propeller free and we proceeded into the Stygian gloom of night-time
Banbury. We passed through the next lock, negotiated the spiked gate
and moored at Tooley's yard for the night. A motion that the tyre be
wrapped up and sent to Banbury Town Hall was passed unanimously and
promptly forgotten about.
From Journeys of The Swan by John Liley (1971)
A poet may lament - 'where is Telford
whose bridged canals are
still a Shropshire glory?'
From Thanksgiving for a Habitat VIII - Grub First, Then Ethics by W.H. Auden (1958)
To those of us whose business was on inland waterways, it seemed
inconceivable that the trade should ever cease. Small carriers might
go out of business, a few outlying sections of canal might lose their
trade, but to imagine that the great canalside power stations served
by fleets of boats should ever close, that the paddles on 'The
Junction' might one day fall silent, or the water of the Wyrley &
Essington become deserted and weedy, was wholly beyond our
imagination.
From Number One! by Tom Foxton (1991, describing the mid 1950s)
We may suceed in preserving the canals themselves as strips of water,
but we seem intent on destroying everything that gave them interest
and meaning, creating instead a Disneyland in which Roses and Castles
feature prominently but shafts and shovels do not.
From Number One! by Tom Foxton (1991 )
Manchester doesn't seem to have a very clear image of itself. 'Shaping
Tomorrow's City Today' is the official local moto, but in fact
Manchester seems decidedly of two minds about its place in the world.
At Castlefield, they were busy creating yesterday's city
today, cleaning up the old brick viaducts and warehouses, recobbling
the quaysides, putting fresh coats of glossy paint on the old arched
footbridges and scattering about a generous assortment of
old-fashioned benches, bollards and lampposts. By the time they have
finished, you will be able to see exactly what life was like in
nineteenth century Manchester - or at least what it would be like if
they had wine-bars, and cast-iron litter bins and directional signs
for heritage trails and the G-Mex Centre.
From Notes from a Small Island by Bill Bryson (1996)
I have only to close my eyes, cross the iron footbridge to the
tow-path, take the barge through the short brick tunnel and
there
I stand in Eden again
From Horae Canonicae V - Vespers by W.H.Auden (1954)
There is paint in my ears and in my hair. I have a fear that one
morning I shall wake and find that the family have painted the anchor.
Last night I dreamed that I had painted the carburettor. I smell of
turpentine. There is paint in the bathroom and paint on the
drawingroom chairs; and all the family have chilblains. Never mind.
We have painted the boat.
From Painting the Boat by A.P. Herbert (In Mild and Bitter, 1936)
Do not write to me and say that Mr. Conrad did not approve the
expression 'casting anchor'. Mr. Conrad travelled in big ships, where
somebody said 'Let go!' and the anchor was then dropped. If any one
said 'Let go!' in my ship nothing would happen. I have to go forward
myself, pick the anchor up, and throw, fling, or cast it over the
side. The expression, in this queer vessel, is correct.
From Housework by A.P. Herbert (In Mild and Bitter, 1936)
One of the greatest pleasures on this earth is steering a narrowboat
and, assuming there aren't too many hazards ahead, eating a butty
stuffed full of bacon, sausage, egg and tomato, washed down with strong
tea from a pint pot.
From I'd Go Back Tomorrow by Mike Lucas (2001)
Gradually the pubs have either closed or been "modernised", which
means making them open-plan, removing all the character of the pub and
replacing it with "stylish decor", and turning the back parlour into a
restaurant. Economic necessity has demanded this in some cases, but
often it is a result of a survey which has been carried out by a
brewery or pub company. This, apparently, tells them that we all want
to eat in plastic palaces from an identical menu where even the number
of chips and peas on a plate can be guaranteed, and we certainly don't
want proper local pubs serving a good selection of real ale, hearty
home-cooked food and an atmosphere conducive to live music, darts,
dommies and conversation.
From I'd Go Back Tomorrow by Mike Lucas (2001)
I do not know much about gods; but I think that the river
Is a strong brown god - sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities - ever, however, implacable,
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting
From Four Quartets - The Dry Salvages by T.S.Eliot (1944)
You cannot suddenly, out of the blue, ask the Chancellor of the Exchequer:
"Whether he is aware that a small boy of repulsive appearance threw a stone
the size of a duck's egg at the passengers in Mr. Haddock's boat proceeding
under Lambeth Bridge on July 4th last, and nearly killed a lady-mariner, and
what does he propose to do about it?"
For the Chancellor of the Exchequer is not responsible for small boys
or Lambeth Bridge.
From The Question by A.P.Herbert (In Sip! Swallow!, 1937)
Gas Street is unique, and any future development that attempts to destroy or,
just as bad, "improve" it would be destroying the irreplacable. That
such a place has survived in the centre of Birmingham in the second part of the
twentieth century is a blessed accident, but one that should be defended.
From Canal by Anthony Burton (1976)
Passing down Broad Street towards the bridge, he turned to the left
and sauntered along beside the Severn. The water glittered in the
light of the setting sun; barges, some of them bearing men and women
and children, passed smoothly up and down on it; the opposite fields,
towards St. John's, were green as an emerald; all things seemed
to wear an aspect of brightness.
From The Ebony Box by Mrs Henry Wood (1890)
I chose to give it the title of circuits, in the plural, because I do not pretend to have travelled it all in one journey, but in many, and some of them many times over; the better to inform myself of every thing I could find worth taking notice of.
From A Tour thro' the Whole Island of Great Britain, divided into Circuits or Journies by Daniel Defoe (1724)
The
Parrot began to move away from the wharf, nosing out
into the inky waters, past Mrs Shore's
Aberlystwyth, with
the washing fluttering from the line, answering the tiller, pointing
its long, narrow shape straight down the canal.
The blank sides of great factories stared down on us, walling us in.
Sometimes there was faded lettering on their sides to give a clue to
their contents: Compressors . . . Tubes . . . Tangye's Cornwall
Works. It was an uncanny sensation. We were passing through the
heart of a great city. Yet one had an oddly isolated, almost
disembodied, feeling as we chugged steadily on through the black,
still water, our engine echoing hollowly under the old cast-iron bridges.
From England is Rich by Harry Hopkins (1957)
And there was the vale of Evesham, the whole vale, lying at my feet like a Promised Land - a vast green plain, soft and warmly sunlit, dotted with villages that clustered around square stone towers, flecked with the lighter green where the willows traced the meanderings of the Avon.
From England is Rich by Harry Hopkins (1957)
I was running down that long, narrow, busy main street to the great Avon bridge in Evesham. And there it was, just as I had imagined it, the placid river, swinging round into the great bend that contains the town, the swans, the white boathouse, and, then, on the other side - through the high riverside curtain of limes - the Bell Tower of the old Abbey.
From England is Rich by Harry Hopkins (1957)
It seemed hard to believe - yet there were old people in Evesham who
could still recall the days when barges of coal and corn had come into
the town by the river. But since then the Avon, like so many once
thriving waterways of England had fallen into decay. Debris choked
its course. Its wiers were broken down. The locks had silted up or
carved in from neglect.
But "Save the Avon" appeals had gone up on Evesham walls. A number of
Birmingham Businessmen had got together to form the "Lower Avon
Navigation Trust" with the object of reopening the river from the
Severn up to Evesham. At Chadbury a party of young Royal Engineers
from a neighbouring camp were rebuilding the first lock down the river
from Evesham.
From England is Rich by Harry Hopkins (1957)
She and Tom Shackleton had been travelling up and down the canals of
England almost as long as they could remember. Both of their fathers
had been boatmen; for that was the way it was on the canals and that
was the way it had to be; this was a world, a whole world of its own,
a world you had to be born to, which was neither of the town nor of
the country, of the past nor yet of the present, a timeless world,
without newspapers, without the cold war, or television, or all the
familiar furniture the rest of us knew; yet a world peopled by its own
rich personalities, whose news drifted in shouts from the backs of
passing boats, a world of busy movement too, not at jet-age speed but
at a speed the human heart could compass
From England is Rich by Harry Hopkins (1957)
Of all the creatures of commercial enterprise, a canal barge is by far the
most delightful to consider. It may spread its sails, and then you see it
sailing high above the tree-tops and the wind-mill, sailing on the aqueduct,
sailing through the green cornlands; the most picturesque of things
amphibious. Or the horse plods along at a foot-pace as if there were no such
things as business in the world; and the man dreaming at the tiller sees the
same spire on the horizon all day long. It is a mystery how things ever get
to their destination at this rate; and to see the barges waiting their turn at
a lock, affords a fine lession in how easily the world may be taken. There
should be many contented spirits on board, for such a life is both to travel
and to stay at home.
From An Inland Voyage by Robert Louis Stevenson (1878)
The chimney smokes for dinner as you go along; the banks of the canal slowly
unroll their scenery to contemplative eyes; the barge floats by great forests
and through great cities with their public buildings and their lamps at night;
and for the bargee, in his floating home, "travelling abed," it is merely as
if he were listening to another man's story or turning the leaves of a picture
book in which he had no concern. He may take his afternoon walk in some
foreign country on the banks of the canal, and then come home to dinner at his
own fireside.
From An Inland Voyage by Robert Louis Stevenson (1878)
I am sure that I would rather be a bargee than occupy any position under
Heaven that required attendance at an office. There are few callings, I
should say, where a man gives up less of his liberty in return for regular
meals. The bargee is on shipboard - he is master of his own ship - he can
land whenever he will - he can never be kept beating off a leeshore a whole
frosty night when the sheets are as hard as iron; and so far as I can make
out, time stands as nearly still with him as is compatible with the return of
bed-time or dinner-hour. It is not easy to see why a bargee should ever die.
From An Inland Voyage by Robert Louis Stevenson (1878)
There's nothing so contagious in a boat as rivets going
From The Ship That Found Herself by Rudyard Kipling (1898)
If a man must be obsessed by something, I suppose a boat is as good as
anything, perhaps a bit better than most.
From The Sea and the Wind that Blows by E. B. White
Some people are under the impression that all that is required to make a good
fisherman is the ability to tell lies easily and without blushing; but this is
a mistake.
From Thee Men in a Boat by Jerome K. Jerome
We had come out for a fortnight's enjoyment on the river, and a fortnight's
enjoyment on the river we meant to have. If it killed us! well, that would be
a sad thing for our friends and relations, but it could not be helped.
From Thee Men in a Boat by Jerome K. Jerome
Few objects, in this mechanised modern world, instill in their owners as much
conern and love as their boats.
From Boatbuilding with Steel by Gilbert C Klingel (1978)
Believe me, my young friend, there is nothing - absolutely nothing - half so
much worth doing as simply messing about in boats.
From The Wind in the Willows by Kenneth Grahame
The sea-reach of the Thames streched before us like the beginning of an
interminable waterway. In the offing the sea and the sky were welded
together without a joint, and in the luminous space the tanned sails of the
barges drifting up with the tide seemed to stand still in red clusters of
canvas sharply peaked, with gleams of varnished spirits.
From Heart of Darkness by Joseph Conrad (1903)
Rosencrantz: Do you think death could possibly be a boat?
Guildenstern: No, no, no... Death is...not. Death isn't. You take
my meaning. Death is the ultimate negative. Not-being. You can't not-be on
a boat.
Rosencrantz: I've frequently not been on boats.
Guildenstern: No, no, no - what you've been is not on boats.
From Rosencrantz and Guildernstern are Dead by Tom Stoppard
There're all these people who wouldn't be caught dead polishing a doorknob in
their house but put them on a boat and they want to rub down everything in
sight.
From You've Got Mail (film script) by Nora and Delia Ephron
Twenty Years from now you will be more disappointed by the things you didn't
do than by the ones you did do. So throw off the bow lines. Sail away from
the safe harbor. Catch the tradewinds in your sails. Explore. Dream. Discover.
attributed to Mark Twain
This is quoted extensively on the web, but I can't find any actual
named source for it
The acquisition of the knowledge of navigation has a strange effect on the
minds of men.
From The Cruise of The Snark by Jack London (1913)
The barge she sat in, like a burnishd throne, burnd on the water; the poop was
beaten gold, purple the sails, and so perfumed, that the winds were love-sick
with them, the oars were silver, which to the tune of flutes kept stroke, and
made the water which they beat to follow faster, as amorous of their
strokes. For her own person, it beggard all description.
From Anthony and Cleopatra by William Shakespear (c1607)
Under the heading "A Wigan Fairy Tale" a writer in the Manchester Guardian
Miscellany column tells us that "Wigan Pier" is to be dismantled. That is
rather like announcing that four o'clock tomorrow afternoon is to be
thoroughly overhauled and painted green.
What do they know of Wigan Pier who say it can be dismantled? You might as
well talk about spring cleaning a rainbow or arresting the Wandering Jew for
loitering without visible means of support.
Wigan Pier is a deathless resident in the realm of original ideas —
it abuts on the infinite and not on any mere material canal.
Let Wigan do what it likes with the iron structure that many people regard as
the pier. The true, trancendental Wigan Pier of a thousand music hall nights is imperishable.
From The Wigan Observer (Saturday 14 December 1929)
The river wound and gleamed ahead, each new reach opening a new vista of
green-and-gold willows and green water meadows, the general scene pleasantly
unchanging, but each new reach always subtly different from the one before
it.
From Death in the Thames by J. R. L. Anderson (1974)
I don't wonder you love boating Mr Allnut
From The African Queen (film script) by James Agee and John Huston (1951)
One thing I've learnt subsequently about canal people is that on the whole they
are some of the friendliest and most laid-back you'll meet anywhere in the
world. Perhaps it's something to do with the pace of life on a canal, for at
three miles an hour, life's boy racers hardly gravitiate towards narrowboats
for their kicks. Or maybe it's something to do with the ambience which
surrounds thee quiet byways threading through the countryside, for there's
something about water – any water – which seems to act like a
sedative, making people calmer and quieter, and on the whole more considerate
and forgiving than totally land-centred people.
From Fruit Flies Like a Banana by Steve Haywood (2004)
In the early 1970s you were part of a secret, undiscovered world which was of
the present, yet separate from it. The canals then were winding. overgrown
ribbons of water which took you across aqueducts and embankments, and through
cuttings and bat-filled tunnels to a world that seemed unchanged for
centuries. Or they were black inacessible ditches tucked away behind
factories and leading to the dark, oily recesses of cities unfamiliar even to
the people who lived in them.
From Fruit Flies Like a Banana by Steve Haywood (2004)
The old canal, from bank to bank,
Is filled with reeds and rushes rank;
And down this lane of living green
March memories of what has been.
The painted barges came from town,
And busy life flowed up and down;
But there is nothing left to show
Where those old barges used to go.
Progress is always marching on;
The old canal is dead and gone,
But still we seem to hear it say:
"I, too, was progress--yesterday."
From The Old Canal, from More Green Fingers by Reginald Arkell (1938)
No, seriously. I'm doing some research
into pubs with the word 'boat' in the title.
From Four Weddings and a Funeral (film script) by Richard Curtis (1994)
In the dark canal a full moon was reflected, like a round white light under
the water. Trees trailed thin branches across its surface as if to catch the
moon in their net. It could have been some broad sluggish river they sat
beside, with dense vegetation growing down to its banks, a mass of complex
leafiness that might have stretched, for all that could be seen, back across
the city for miles, covering buildings in a dark wilderness.
From The Keys to the Street by Ruth Rendell (1997)
At one time on one of the little muddy canals that run round the town, there
used to be a tumble-down wooden jetty; and by way of a joke someone nicknamed
this Wigan Pier. ...to judge from the photographs it must have been about
twenty feet long. ...I made a journey specially to see it in 1936, and I
couldn't find it. ...I am afraid I must tell you that Wigan Pier doesn't
exist. ...the place itself had been demolished.
From BBC radio broadcast by George Orwell (2 December 1943)
The boat came close to the bank again, and before she had had any more time
for consideration, she and her grandfather were on board, and gliding smoothly
down the canal.
The sun shone pleasantly on the bright water, which was sometimes shaded by
trees, and sometimes open to a wide extent of country, intersected by running
streams, and rich with wooded hills, cultivated land, and sheltered farms. Now
and then, a village with its modest spire, thatched roofs, and gable-ends,
would peep out from among the trees; and, more than once, a distant town, with
great church towers looming through its smoke, and high factories or workshops
rising above the mass of houses, would come in view, and, by the length of
time it lingered in the distance, show them how slowly they travelled. Their
way lay, for the most part, through the low grounds, and open plains; and
except these distant places, and occasionally some men working in the fields,
or lounging on the bridges under which they passed, to see them creep along,
nothing encroached on their monotonous and secluded track.
From The Old Curiosity Shop by Charles Dickens (1841)
Chugging along between banks of green willow,
Buttercup meadows, sweet nettle and dock,
Sheep in the meadow so peaceful and still-o,
And just 'round the bend we reach Camberwick Lock.
Nothing is better than being at large
In charge of a gay inland waterway barge
The sun on the water is glinting and gleaming
Soon we are leaving the Camberwick Lock
Pass by the anglers all drowsily dreaming
And far in the distance chimes Trumpton town clock
Nothing is better than being at large
In charge of a gay inland waterway barge
From Song "The Bargemaster" from "Chigley" by Gordon Murray and Freddie Phillips (1969)
One of the things I've used on the Google is to pull up
maps. It's very interesting to see - I've forgot the name
of the program - but you get the satellite, and you can - like,
I kinda like to look at the ranch. It remind me of where I wanna be sometimes.
From Interview on CNBC by George W Bush (23 October 2006)
The survival and revival of the canal is a reflection of its enduring place in
British culture: a strange admixture of commerce and pleasure, history and
modern development, back-breaking labour and reflective leisure. Canals always
mattered more than the money they made.
In an age of dirt and speed, the canal is not only a vital artefact, but a
form of therapy. Puttering along a man-made ditch seems a peculiar form of
relaxation, but once one has seen Britain passing slowly and serenely at eye
level, it is impossible to see it in the same way again.
From The Times by Ben Macintyre (1 June 2007)